カレーまみれ勇者の冒険 Curry Chronicles

porn game and jarpig reviews


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Gnosia

It has been a cursed year so far, but I am slowly breaking that curse this summer and finally getting back to playing some games.

Gnosia is an extremely unconventional work that took a team of 4 people over 4 years to develop. The main concept is a game of single player werewolf, set in a stage fitting for a futuristic space opera, where you loop back to the beginning after every game of werewolf regardless of result. It’s also a download-only title released exclusively for the PS Vita in June 2019, a few months after the handheld’s end of production was announced. Worry not, the developers’ previous game Maison de Maou has been ported to every console available so I’m sure Gnosia will at the very least get a Switch or PS4 port. Far too much time and effort has been put into the game for it to be left alone on a handheld that has pretty much ended its life.

Edit: I forgot to mention the biggest gamebreaking flaw of the game. It has no backlog.

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勇者死す。play report (2) + thoughts

Turns out I wasn’t too far away from the end in Play Report (1). In fact I was only about two playthroughs from the end, since the amount of repetition this game has actually makes the true ending very easy to get. It also helps that Vivi happened to be just there in the first dungeon I entered on my true ending playthrough and I managed to recruit her, never having time problems ever again.

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Idol Death Game TV, more like why did I ever think this was a good idea…

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D3 Publisher, a company whose recent track record in making games hasn’t been very good, decided to make a Danganronpa-inspired game about idols aiming for the top. The concept is very simple: each year, idols participate in the Dream of Dream (D.o.D.) event, where they compete in various idol activities and the winner gets to be the center of a big concert. It’s a huge event that has the entire country tuning in, and good performance in the show leads to an increase in fans. This year, the D.o.D takes place in a remote western-style mansion and welcomes seven participants. The master of ceremony is an obnoxious pink elephant mascot character, and the setting for this year’s D.o.D. is awfully lacking in glamour compared to previous years’ events. The event is held in six stages, each stage having a loser, and the one who survives all stages gets crowned as this year’s top idol. The loser of each stage has to participate in a consolation show that “may” offer them the “chance” for a comeback…

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灰鷹のサイケデリカ – thoughts

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(Spoilers…? Not explicitly but don’t read if you’re currently playing the game)

Having played (and enjoyed) Kokuchou no Psychedelica, Haitaka was on my radar but not a priority since my plate is loaded (I finished like 1 game from September when I bought 4, this game not included). I ended up playing this sooner than expected since I read some Amazon reviews complaining about linear plot, lack of romance/糖度, and even a post talking about the game having loads of landmine elements in the context of the console otome game market. I mean normally those things are supposed to deter one away, but story-heavy and linear are actually very appealing elements to me when it comes to a novel game so my interest was piqued.

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Refrain no Chika Meikyuu to Majo no Ryodan

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Wow I slacked off for 3 months because I was playing games and hopping onto a new game immediately instead of writing anything. This is the way life is supposed to be; I was born to play games not write blog posts about them.

Refrain is a dungeon RPG by NIS, developed by the same team who did Majo to Hyakkihei (also known as The Witch and the Hundred Knight in English). I didn’t play the latter (but I sure plan to thanks to Refrain!) so I don’t really have any grounds for comparison.

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Recent impressions etc.

Short blurbs about recent reads. I should do this more often because writing legit reviews is too much work and I have trouble writing about stuff I like.

Shoujotachi wa Kouya wo Mezasu
Rakuen ~the case of “never improve myself”~
Mushi no Me
Maitetsu
Kaihou Shoujo SIN
Nanairo Reincarnation
ISLAND
Kono Yo no Hate de Koi o Utau Shoujo YU-NO

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Ikenie to Yuki no Setsuna – Review

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It’s obvious the era of Chrono Trigger and Final Fantasy VII has long past — what is often considered the golden age of JRPGs will never come back in the same form in the world of ever-evolving technology and expectations. Some will go so far to say that JRPGs have stagnated or are dead, and video game sales have reached an all-time low in Japan while the budget required to create a game that matches modern standards is only increasing.

Developed by Square Enix’s new brand Tokyo RPG Factory, promotional material hyped up Setsuna to be “what brings back JRPGs.”

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